music

I'd like to start this post by thanking you guys for your support. I started this blog with no expectations (aside from expecting that nobody would read it), so to have anybody even going onto my page is very encouraging. I thank you even more for the lovely comments you've made about my blog, my layout, and especially those about my writing because that has previously always been an area where I've been unsure of myself. So thank you; now I only hope I can return the favour by continuing to give you light, yet – most importantly – interesting and entertaining reading (and laughing, hopefully).

Just a quick request, if you leave comments – especially in the shout box on the far right – please leave your name, or at least a screen name, otherwise it's just a long list of Guest Guest Guest Guest, and it looks like one person has become socially withdrawn and decided to spend their life on my blog. And, also you can't tell what's said by who. So yes, at least a screen name!

Music-wise: Thursday this week I heard You Me At Six's upcoming new single, 'The Consequence'. If you missed it (bad, bad You Me at Six fan), catch it on the Radio 1 Nick Grimshaw page (like I did). Or just listen to it on the right.

I like it! After hearing 'Finders Keepers' and 'Kiss and Tell', I liked them somewhat, but this is truly a move away from that kind of sound and back to their old sound (angry rawr angry rawr angry rawr. I'm SO weird.) No joke, I actually think my inclination towards angry music is really telling about my character... But back to the point, you can tell they have feeling in this song, that they've put themselves (maybe not their heart) into it. Josh Franceschi said that he had to rewrite the lyrics of most of their songs from the forthcoming album after their tour in America because he'd just come out of a long-term relationship – does that mean I stand a chance now? - so the sincerity that this shows (changing your lyrics to reflect your emotions) tells me that they are putting themselves into this song. Hopefully that will also be the case for the new album (out in Jan 2010, folks, GO GET IT). You Me At Six, welcome back.

A song that seriously makes me want to cry because of its pointlessness is Lily Allen's 'Who'd Have Known'. Yeah, I know, I loved her 'Guess What Batman (Fuck you very much)', but the former just makes me think, 'what is wrong with her?!' How could she possibly have thought that this song was good enough to release as a single? How could she possibly have thought that it was good enough to put on an ALBUM?! Things wrong with it: the chorus sounds too much like Take That's 'Shine' (perhaps that's intentional, but it doesn't work in any way!) it's slow in a lo-o-o-ong, drawn-out way, and it's lifeless. I'm not even asking for heart, or emotion, or soul, just something that makes me think it's sung by a living thing. HELP ME NOW.

Another song that's making me despair atm (but not as much) is Ke$ha's 'Tik Tok'. I mean, when I first heard it, I thought it was some weird sort of MileyCyrus-Cascada-EsmeeDenters hybrid. So – wrong. It's a tune I can't get out of my head and that's good to sing, but lyrically and musically it's crazy. The verses she sings are – what the hell are they?! It's just her talking, really... I can't even describe it. Speechlessness, but in a bad way. There's no energy in the song, it's nanananana..nanananana... I don't need this kind of music! (Oh, there goes the music snob.) Too many artists who don't know what they're doing. It's not even fun music. I can handle bad music that's jokes, but bad music that is just bad and fills a space... no.

(OMDZ what?! When I saw the name Ke$ha I thought she'd have been black. Woops.)

Last word, well done to my friend NO (I'm not just saying NO angrily, however weird I may be) for her success in the Bank of England competition!

xxxx